Name: Getting started with Gamma 5
Uploaded: 2026-10-16T01:01:46.180Z
Duration: 47 min 32 s
Description: Getting started with Gamma 5

Transcript for "Getting started with Gamma 5": Alright. Let's see. Oh, my screen is so big. Alright, guys. I think we have some folks streaming in here. Give it a beat. We've got Jason backstage helping us out who's going to be, answering some questions. But we'll give it a second to, just let people flow in, before we get started. Alright. Jason, let me know when you think we should, we should get going. But, yes, let us all know where you're calling in from today as we are waiting for others to to jump in. Hi, Robin. Hi, Steve. Got New Zealand, Connecticut, everywhere. I love it. I'm in San Francisco today, Ontario. Love this. Great. LA. Everybody's coming in from everywhere. This is great. Costa Rica at Oregon. Fantastic, guys. Excited to jump in with you here. Alright. I think we're gonna go ahead and get started. I know we're going to have more folks flowing in. As I mentioned, for those who just jumped on, Jason, who's one of our incredible customer success managers, is going to be answering questions in the chat as we go. And I'm going to share my screen and start to get us around gamma five. Let's do it. Alright. Let's see here. Get my screen up and running here. Alright. Great. Okay. Perfect. Jason, are you able to see my screen just to make sure that everyone can see the full view here? And I hope that's a yes. I can't see, see the move, so we're gonna jump in. I think it's a yes. Great. Awesome. I know you can now see my screen on screen, but I'm gonna be moving through tabs a lot to show you around. So, here we roll. I'm Gina Lingcaugill. I, run marketing at Gamma. But prior to this, I have worn many hats that involve making many presentations and visual assets. I previously ran a startup called Portrait that was acquired earlier this year. I ran the streaming and social video networks at Bloomberg, built a creative agency at The Atlantic, and started my career in management consulting. So lots of decks, lots of social assets, lots of memos. I feel your pain out there, and, I'm so thrilled to be at Gamma and, empowering you with new fun ways to build all of these different pieces of your brand, of your world, get your message and your story out there. Today, we're hoping to make sure you leave with a strong foundation in Gamma five so that you know how to generate a deck, a doc, social content to get the look you want, understand how to edit with the agent and by hand, and also understand things that you get to do in Gamma five that you couldn't do in our classic Gamma experience. To get us started, I'm gonna tell you a little story about these two, the Abdallah brothers. They are two filmmakers from Brazil who came and spoke at Gamorama, which we hosted in New York earlier this year. We took over a Broadway stage. We had the comedian, Mike Birbiglia. We had the writer, Malcolm Gladwell, the makeup artist, Bobby Brown, and these two. And they told us about the pitch of their lives. Before I tell you more about their story, I'm actually gonna kick off a generation for the two of them, and we're gonna pretend that I'm one of these guys, clearly, look like them. I'm gonna jump inside to, the new gamma five experience. Just to orient us here, you'll see we have the, box where I can put in anything, any of my ideas. We also have my connectors and space to upload files and photos. Talk about connectors in a little bit. But for now, we're gonna work with some initial files and photos right on the laptop. And then also you can see some kind of suggested templates down here as well as different types of presentations I might want to make. So I'm gonna be using the dictate button here in the corner. I'm gonna use the one that sits here inside of gamma. I also sometimes like using whisper flow. I really like dictating to the agent because it allows me to have a conversation and get all of my crazy ideas in there rather than typing something to try out. So let's get ourselves started here. I'm gonna say, I'm a filmmaker who is about to pitch IMAX for their first feature film. Help me craft my pitch. And I'm gonna upload a bunch of stuff as the Abdullah brothers. I'm gonna go in here. I'm gonna add in all of these nice photos from some of my past films. I'm going to add in some, like, messy notes of mine on, like, kinda what I'm thinking about. Throw that all in here, and I'm gonna hit generate. And while that's getting started, I'll give you a little more context on the Abdullah brothers. They had four impossible tasks to get their movie made. They had met this, race car driver at a bar who said he wanted to win Le Mans, a famous French race, or die trying. So they had to get the credentials to film at Le Mans, actually, three months past the deadline. They also had to get Porsche to trust them inside their garage. But beyond that, they had a big idea for this film. They felt like they could get inside the mind of the race car driver by being kinda right there alongside him, and they wanted to make it a big splashy IMAX film. These guys had never done a feature film. There had never been any Brazilian filmmakers, to release an IMAX film before, but they decided that this was the way that this story needed to be told. So that meant that they also had to get Panavision on board to supply the filming equipment, and they also had to get IMAX on board to distribute their film. At the time that they were pitching IMAX, they'd actually already gotten three of the four tasks done. They'd gotten Lamont credentials. They'd gotten Porsche. They'd gotten Panavision, and they needed to go to IMAX. At the time, IMAX actually said, no. They said maybe. And so the brothers ended up self funding the film and coming back to IMAX at the end using the Panavision lens, which, you know, if they didn't get the IMAX release, wouldn't even mean anything. And they ultimately actually were able to release as the first Brazilian filmmakers and as the youngest filmmakers ever, with IMAX. But today, we're gonna see if we can get them that yes from IMAX a little bit faster by helping them craft a better, stronger pitch from the outset. So that is where we stand right now. We've dumped in all of their notes. We've dumped in a bunch of their images, and now we are at the planning phase. So Gamma has already put together an outline here with, kind of a a nice arc to the story. And at this stage, we can go ahead and start making edits if we want to. We could, you know, directly edit some of these sentences. If we don't like them, we can move some of these cards around, or we can add a card. You also... If you're in a hurry or you just don't want to do this phase, you can, in your initial prompt, say, don't ask me any questions, make good assumptions, and go from there. But the outlining stage can be a great way to see how the story is coming together if it aligns with your vision before you ever hit generate. You also can see the suggested look and feel that's coming in here. It's giving me a couple of different options based on the story that I'm looking to tell. It's starting here, and I think that one looks like pretty interesting to start with. So we're gonna go with that. We're gonna go ahead and hit generate and start to see that flow through. You have the option also to bring your own brand template in, which we'll talk about here in a second. But if you're shopping around and don't have a specific look and feel, it can be great to work off of an initial design prompt from Gamma. So now Gamma is starting to build out our slides for us, tell the story of the night that these two filmmakers met their subject in the bar and bring all of this together. You're starting to get a sense of the look and feel here, but I wanna show you some other directions that we could have taken this same story just to show you some of the the range here. In one example, I asked Gamma to give me kind of a nineteen seventies motorsport meets indie vibe. You can see here kinda telling a a cool story. You can also see, kind of more of a Netflix modern vibe here. Still telling a similar story, but, with a very different vibe. And here, I tried a more, editorial story. So rather than kicking it off with the name of the film, starting from that night at the bar, and the moment that they found their first film. On any of these, I have some options in terms of how I edit. For those of you who used Gamma in the past, you'll still see that initial kinda auto mode where you can pop something in, move things around there, make it really easy to to kinda shift things around. But you also can shift out. So here, I did something funky probably because I'd already played with this and moved into free form mode. So I can also just convert the whole slide to free form. And that means that I now have the option to fully move things around by hand the way that I might expect to with, a, you know, Google Slides or more traditional slide or presentation product. So you get the best of both worlds there, between, hand editing and, auto editing as well. I'll also show you how you can talk to the agent back and forth. Before we do that, let's go back in and check-in on our original work together. You can see it's gone for kind of a fun, like, neon theme here with the kind of purple and green, which is kinda cool, but I don't know. I don't know if I really like that with the imagery that I have going. So I'm gonna go with something a little bit more like what we saw on some of the others to match my photos. So I'm gonna go into the agent here and just say, I don't like the color palette. I'd like to see something more in the kind of black and red vibe that matches my images better. Pop that in and let the agent starts flowing that through, to match my, my vibe of the of the, of the deck. While that's flowing through, I'll also show you some of the ways you can get a little more creative as well. So let's say that I also have some additional, data that I'd like to pull in, to help make my case. So I'm gonna go in and upload, another kinda doc here. This is a dot doc, but it could have been a dot, Excel file with a bunch of data in it. I'm not really sure what the story is in the data, so I'm going to just say, find the story in the data and add an appendix to help make my case to IMAX. Before I press generate on that, I'll just highlight, that this has switched over to that kind of black and red vibe that I was going for. And now I'm going to get gamma rolling on adding that to my appendix. Find the story in the data is a great hack, for when you've just got a bunch of information and you're not really sure where the story lies or how it fits with your goal, to start to get organized and see what what Gamma finds for you. So, while Gamma is pulling together that, appendix for us, I'm gonna shift gears a little bit. We've been looking at the kinda classic 16 by nine presentation experience, But I also wanna show you how you can make social assets and also how you can riff off of existing assets that you, already have. So let's jump back into the main, gamma experience here. And let's say that the Abdullah brothers had previously, created some, social assets for, a, let me go in here to all, for a sunglass company. So, you can see here, they've created these kinda cool social carousel for this kinda sports sunglass company. They really liked some of the components in here, and they think there might be something cool that they can do for their movie. So we're gonna go in and now pull in one of those cool gammas that we built for, the film. Let's go with... I don't know, let's go with, our motorsport meets indie vibe, see what it does with that, and say, I really like the gallery kind of factory vibe in this social asset. I wanna use the same style for my film attached, switch everything to the black and red color palette, and tell the story of the film in the carousel. And I'm gonna stop dictation, fix that there, gallery kind of factory vibe. I'm just gonna see what it does with that and start to see how it tells the story of the film, using some of the elements of this social carryout. So while that is running, it's, starting to think that through, kinda reading the sunglasses style, playing around. Let's go back and check-in on our initial asset that we build... Or that we were building. So we now have this appendix, the numbers behind the bet. You see it's kinda pulling in, like, real, kind of share of screens. This is all editable. It's also pulling in, like, nice charts for me here, highlighting that Brazil is the fastest growing major endurance market and also highlighting some things for about, Filip Nasr, the race car driver. It also is highlighting a couple of things to me. I'd already highlighted that the numbers are estimates. It's highlighting the fact that the audience chart runs past my pitch date, so that's a mistake on my part. So always good to read what the agent's telling you, and some some ideas there. And you can also ask it to dress this up. So... And play around with interactivity. So I could say, for example, visualize the 1% of screens slide, slide 16, and turn it into an interactive calculator for IMAX. So it can see how performance might change depending on the assumptions. And you can do a lot with interactivity. Basically, it's gonna use HTML to put in kind of an interactive graphic in here. We've done things for, like, floor plans for new storefronts that are being put out. We've done calculators, for kinda revenue or ROI. Lots of fun things you can do to build that out and, and play with it. Actually, one example keeping with our, film vibe here is this fun lantern house set design. And you'll see here, we made this fun little interactive, graphic of the set where you can kinda play around with that. So you can really have a lot of fun with it, and, you know, play back and forth with the agent to, make whatever you can dream up. Really fun stuff. Alright. While we're waiting on our... Oh, look. There we've got our inactivity. We've got, like, a cool, like, kind of, interactive. It's still kinda working there. Let's go back to our sunglasses social assets and see how that's, working over here. I think I may have jumped into the, a different one. Here we go. There we go. There we go. Alright. It's pulled in kind of some fun new, social assets for the film with the race car. I really like what it did here with the, like, helmet and gloves kit. That's cool. This, I probably can, like, play around with to get the full thing in. So I'm, like, editing a little bit by hand to kinda play around with the overlapping there as you can see. It did a good job of pulling in the red, but I think it pulled in the original templates green. So that would be another area where I could just say change all of the green accents in photos and in the pages to red. I said read, but, hopefully, it will, handle that for me. There we go. Oh, I think I I probably double clicked that. So we can just try that again. We'll, like, let that reload. Play around. And just pull in this and showcase how we kinda pull in the red there. Cool. Alright. Well, that's pulling together. We've been looking at this. Oh, I really like how it did. It's playing around with this. Still building on that front, but that's really cool. I love what it's doing there with the camera and the helmet. While we're, waiting for that to build out, a lot of what I've been showing you right now is very much for the kind of scrappy filmmaker who is thinking about this very specific film and isn't building in the context of their own brand. But let's kinda flip the pages here and say that now we are, coming at this from the studio lens. So we have an existing brand that we want to pull in, and want to, make sure we have fidelity to that, in gamma. So I'm going to add, another file here, pull in this PDF from our fake Meridian Studios, and I'm just gonna say import it without any further instructions. You can give instructions in that moment. So if you are like, I like these pieces of my brand, like... But change this, you can tell it right up front, or we can do that as part of the editing experience. What you're gonna see over here on the right, this view only is the original file. So this is what the original PDF looks like for Meridian, so that I can kinda compare and make sure I understand what I'm bringing in. One thing I'll note, which is, I think, great when you're pulling in PDFs or PowerPoints is I kinda tricked the agent here where this quote mark is actually already a little broken in the PDF. So we're going to see how the agent can help us, you know, fix things that might have even broken when we were exporting a PowerPoint to PDF and help us clean up our existing assets, as we go. While that's continuing to, load, let me just ask Jason if there are any questions that have already come up that you think we should, surface here to chat about while we're letting the slides import? Nothing has come up yet. I think there's a lot of excitement around agent. So, I think digging in this... Digging into this, digging into the assets, I think this is great. And then also just seeing the agent come to life and making the edits there and seeing how you can make manual edits if possible. But overall, this is great so far. Thanks, Janelle. Awesome. Alright. Well, Meridian Studios has come into the GIM orbit. As you can see, it's now editable. Now because of that kind of weirdness of the PDF, I'm seeing, like, some... Like, it looks really good, but I'm noticing that this, like, kinda runs off there. So it's... You know, it looks really good, like, pixel wise. But if I wanted to use it as a reusable template, a good thing to always ask the agent is to just say, go back through and check the new gamma deck against the original PDF and make any edits to improve the look as well as to improve performance as a template in the future. That was sort of sort of wordy on my part, but, basically, you just wanna ask it to check your work. And I'm already kinda teeing it up to turn this into a reusable template so that it will work really well when I start reusing it, over and over. So for example, I'm gonna bet that it's gonna catch this kinda little overlap, which was actually existed in the original PDF. And, actually, it went right to that page. You can kinda see where it's working over here in the corner, and also is just going through and kinda checking each piece. Another thing to note here is everything I'm showing you today is very much from the perspective of one person solo experience working on gamma, but you can absolutely edit at the same time with a team and have other people in there. You can see what page they're on. They can be making edits the same time as you. And there's actually a cool experience now in terms of being able to see where their agent is working on different pages so you know where a page is about to get transformed, which is, of course, you know, quite helpful, and, before you start doing any work by hand. Cool. Alright. While that is running, since there was some, excitement around other places to edit with the agent, I'll pop back over to our lantern, house set design, and just highlight some other, like, fun things that we could do to play around with this. We already showed you some of the interactivity here, some of the, like, fun full bleeds. But let's say that we wanted to use this even without turning it into a template. We just wanted to, like, quickly remix this, like, on the fly. I could go in here and just say, like, create from this and say, you know, I I am actually now building out a set for a show based in a subway station. Use the same style of this deck, but replace all the images with subway station imagery that has the same, miniature look. We'll see if it gets what I meant by miniature look there, and we'll get that, rolling. While that's running, let's go back and take a look at our... I'll talk about that in a second. Fun stuff to come. Let's go back and look at our import over here, which I think is running over... Let's see. Got too many tabs rolling now, guys. Here we go. Import's running over here. So you can start to see where it's making those edits and kinda cleaning up, thinking about all the places where, it can also add template instructions for the future so that I can, use that successfully moving forward. Let's make sure while that's running, see how our subway deck is going. So it didn't ask me any questions here because I was remixing straight away, and it was a pretty, like, clean prompt. Sometimes you'll see that planning phase come in if we're starting from a full prompt. Other times, you know, it may just jump straight in. And, again, you can always skip the planning phase if you say make good assumptions. And I also oftentimes will say check your work. So, starting to to play and build out here. Heading back over to our import. Alright. This is all done. Always good to check. So it actually did two passes for me. It added template instructions. I'll show you what that looks like in a second. It fixed the broken placeholder lines that were... That we saw before, and it also spotted some places where things look a little weird. So in other words, these are things that were issues in the original PDF that I could ask it to fix, or just leave as is. For purposes of of us continuing on, I'm going to, just see where we stand. I'm gonna go ahead and just say, like, turn this into a template so that we can use that. We may see some visual weirdness since I'm not letting it continue some of the fixes that it recommended. But, it is fun to bring something in from PowerPoint or PDF and then, you know, help it kind of beautify. So here's the template. As you can see, it already added a bunch of template instructions when I asked it to kinda harden the deck for future use. You can also always just say infer template instructions if these are not present, and then you can go in and edit them yourself. So it just helps, as you're using the template. And oftentimes, as a brand, you may have specific words you love to use, a specific brand voice, specific way you want to use images. All of that is available, for you here. And you can also, set instructions for our, you know, teams and businesses out there, at the workspace level as well. So you can make workspace instructions, template level instructions, as well as slide level instructions. And if I just kinda refresh this template, just to see it come together, I should also be able on here to lock the slide. So if I lock the slide, that would also mean that someone can't change anything on that slide when they're using it as a template, which can be really helpful for teams if there are certain pieces you just wanna lock in place. The agent won't touch that when it uses it as a template. Great. Okay. So we now have this great template. And I'm gonna tell the agent... Let's see here. I'm gonna say, I'm gonna type this one out because I'm gonna actually bring in a Slack integration here. I'm gonna say, use the template, for, actually, I'm gonna say to summarize the hashtag m s box office Slack channel and create a recap tag. Gonna check to make sure my Slack connector is on. It is. And get rolling on that. The Slack connector I'm showing right now, I'm starting from within gamma, but you also can start from within Slack. So once you've, set up your Slack connector in Slack, set up your Gamma connector in Slack, you can say, at Gamma, make a deck out of this conversation or at Gamma, you know, make a make a deck from this and pull in all the data from my Google Drive, and it will create that. And, that can be, you know, a great way to, just make it a lot easier when you're working in Slack. I also love to use it for images in Slack, and it will just pop the image right up in Slack, which can be a fun way to have a back and forth with your colleague as well. Cool. Alright. So while that is running, it looks like we've got our kind of plan here. Good. This looks like a nice nice setup, pulling in all of that data from the Slack conversation. I'm gonna hit generate. And while that is getting rolling, we'll go back and check-in on our subway design. Oh, it's so cute. I really like that. Look. It did the little... It did understand what I meant from the miniature. That's really cute. I like that a lot. Look at the little turnstiles. That's delightful. Here, I was kinda taking, you know, a a given design and then asking it to regenerate the images in the same style. You also can go in the other direction. So for example, one thing I forgot to mention when we were in this kinda editorial style for our film over here, these were all, images generated by gamma. But let's say I wanted to take a kinda radically different approach, go into the agent, and say, change out all the imagery to have more of a pop comic book vibe. I want something moody like Christopher Nolan's films paired with, cool throwback comic comic imagery. No comment imagery. Just... Oh, stop. There we go. Alright. Cool comic... Throwback comic imagery. There we go. We will see what comes of that, agent prompt. While that's running, we'll head back over to our, box office recap, see how that's doing. Let's see here. It looks like... Let's really go back into our box office recap over here, see how that's coming together. Looks like we... It's still building the recap deck there. So we'll let that continue to roll, and then we'll come back into our... Let's see here. Editorial prompt here. Alright. It's starting to pull in every image there to do that kinda, like, retro pop comic style. Very excited to see where that goes. While that's running, I will talk a little bit about how you can use this to also explore different avenues for your brand. Right now, we are doing kind of small changes. Right? Changing out the imagery for what... From one style to another, changing out the subject of an image from one to another. But you can also do larger, broader edits on your style. So here we have a fake company, Origin Media, where we've taken a kind of nice, fun cartoon vibe, very friendly to tell the story of the company. But we could radically change this. Right? We could go for something bold and colorful and modern. Same story, just very, very different style. Or we could go for something that's more of a kind of black and white photo book look that's a little more structured, a little more clean. So lots of different ways to play here. I'd suggest when you're thinking about, you know, how to get from one look to another, bring in anything that inspires you. Bring in imagery, bring in photos you've taken, just, you know, use dictate to start just dumping all your ideas in there. And it can be a way to help you evolve in a totally different direction. And you can do that even if you want to stay in the overarching style of your brand. So if you have brand guidelines and you've gone in kinda one direction and you've, you know, had someone on your team make just that one sad little template and now it's getting stretched, you know, in millions of different directions, you can workshop with the agent and say, help me come up with a totally different direction for this while staying in the brand guidelines. Maybe you need something bigger and bolder for a conference or something that can handle really dense text for something more scientific, gamma can be a great way to now explore all the edges of your brand while staying within the realm of your brand guidelines. Awesome. Alright. Let's take a look at where our box office recap has gone. This is looking great. Alright. Let's see here. We've got... Pulled in kinda how no... The film Nova opened, got 950,000,000 worldwide, told the ROI story, kind of brought... Used that same template to tell a totally different story than the about us that we saw previously, and also pulling out some key notes. As a reminder, again, I could easily do, like, a nice drag and drop style here where I'm using the auto mode, or I could convert to free form and move everything around completely free text, as well. Cool. We've talked a little bit about social assets. We've talked about how we can, you know, pull in connectors and also, how we can do different presentations. I also wanna just highlight the play... Way way that you can play with images in gamma. So if you aren't sure, what you want to... I'm not trying to go to Gmail there. What you wanna build, but you wanna just start to explore images for a project, I'm gonna pull in... I've got my Google Drive connector on, and I'm gonna say, let's see here. Find the Lemont map in my Google Drive and recreate it as a old school blueprint. So I'm gonna go to the image. This is Lamon. And it's now gonna go play around in my Google Drive. I was pretty prescriptive here, but you can also just say, like, search my granola notes. Go in and grab this. You can also just add the connector and not be prescriptive. Adding more connectors is a great way to, give Gammon more context so that it's telling a story rooted in the data that you want to use, or rooted in the context of all of your notes or your conversations. One way that you can use it, I am not connected through my phone to the screen right now, but if you were having a brainstorm, you did something on a whiteboard, you took the granola notes, or use some other, voice to text note taking device, you could just add that connector into gamma right on your phone, take a screenshot of the whiteboard, get going on the mobile app, and say, make a gamma from this brainstorming session. And by the time you open your laptop, you have a first draft of that presentation ready to go, which is a really fun way to just go from initial ideation to beginning to create structure to your ideas. Cool. Alright. It's starting to draft some blueprints for me. These are cool. I like these. Let's see. We've got the, kind of, the classic blue... Blueprint direction. I can also... It's got, got, like, kind of a nice crisp direction here. It's also showing me, like, what model it used here, but I also could, you know, direct it to go in a different direction with the the model that it's using when I'm editing here. You can see here kind of a cool, like, desk vibe. I kinda like that one. That's really fun. And I should say, you know, we can go back and forth with the agent on editing here, but I also can do that in, you know, in a image, you know, inside an image here. So for example, if I wanted to go, edit with agent here or, go in and... Let's see here. Like, go... Let's just see here. Like, edit my image. Could go in and just, like, talk to the agent and edit it there as well. Awesome. I'm gonna pause there and just see, how we're doing, on some of the questions, Jason, that are coming in, and then we can continue to to play around a little bit. Thank you, Dean Ellen. It is incredible to see all the use cases you just covered, and I feel like we barely even scratched the surface. So thank you, and I really appreciate that. There were two questions that came in that I think we should cover. There's one on clarification of just where we should be putting brand and voice guidelines. So I think if we go over template instructions and potentially workspace instructions for enterprise customers one more time, I think that could be helpful. Absolutely. Yeah. Great. So let's go in to just, like, kinda look at the kinda work space experience here. So, these are work space templates. So here, you can... I'll just pull in, like, a gamma one here. I can kinda preview it. I don't know why that's saying... Oh, this is an old template. That's why it's saying upgrade to gamma five. So it's an older one. So I can say use template. I can kinda open in the editor here. Pull this over. Let's see here. It's not gonna let me in there. Let's go back. Hold on. Getting myself stuck. I'm clicking too fast and, confusing confusing myself here. So... Yeah. So if we go into templates, you know, we could, like, open any of these in the editor. Let's go back into Meridian Studios. You can put in your, like, instructions at the overarching level. You can also open up the agent and talk about the template here. You can also put them in at the slide level. And then, also, if we go in here, we can, like, save the new template, and, you know, look back at the archive instructions. Let's go back here. And then if I go in at the account level... Let's see. If I go to settings, there we go. Can see, like, overarching design and templates. I can decide who can manage themes and fonts. I can also set the workspace default theme, so I can put in sort of instructions at the workspace. Jason, any place else you would want to direct me here and just showing different screens on kind of the workspace level? Yes. If you go to customize and then if you go to custom instructions, this is also a really good. place. Great question. That's... Is also a really good place if you find yourself leveraging and prompting your agent to do things multiple times, this is a very good place to just put your instructions so that the agent runs through those instructions every time you generate content. So, for the question about brand and voice, yes, you could do at the template level. But if you want your whole workspace to appear or to, align to the brand and voice templates... Or random... Van... Voice and brand instructions, you would do that here as well. Yes. Great. Thank you. I meant to come over here. So as Jason said, lots of things you can throw in here, to make sure that your whole workspace is on the same, vibe and also where you can, bring in your own custom fonts as well. Other questions that have come up so far, Jason? Yes. The last question, I think it would be helpful to demo another good agent, use case. There was one person who was wondering if the agent would be able to add speaker notes in the first person across a deck. It absolutely can. Great question. I'm so glad you asked. Let's go in here and just say, add speaker notes for me based on the story line. Great. I didn't give it much context at all, but it will add those for me, and I can also be really specific. I could, say I wanna be really friendly. I like short speaker notes. I like really detailed speaker notes. And then you can also ask the agent to edit that at the global level, or, of course, you can go in and make some of those, edits, by hand as well. And we should see those speaker notes here start to populate, as that's coming together. You can see the agent is is editing up here. So we'll see those populate here in a second. Other questions, Jason, that are coming up? Yeah. Just to clarify with speaker notes, this is really helpful. You can tell the agent to make them in first person, etcetera. And now with Gamma five, they will actually export. So So if you need to export into PowerPoint, the speaker notes will go in there as well, which is really exciting. And then one question is curious around if you can point Gamma to just a website or a URL and create the deck based on that website. You can. Yes. I'm glad... I wanna go back one step. I... I've talked a lot about import, but not about export. But, in the same way that you're seeing massive leaps forward here with import, we also now have excellent export. So if you need to export as a PDF or a PowerPoint, with speaker notes, that's all available. And you can see here that there are now speaker notes, in here. So we'll just go in and take a look here at kinda where our speaker notes are. Great. You can kinda see those popping through. And, you know, we... It's going in the we because that was what was kind of in the story line, but you can ask it to do it in first person, you know, the we voice, whichever you prefer. Back to the question of a website, you absolutely can. And just really quickly, if I go back up here to Gamma, you could pull in any website and ask it to kinda pull in the brand, pull in the vibe. Let's just pull in... I don't know. If I pull in Gamma right now, it's gonna be the same. It was gonna be logged in. So, Jason have any favorite brands you wanna pull in right now to to vibe from? Let's pull an apple. Let's do it. Go go big or go home. Right? Apparently, in all caps for me. Great. Let's go. Let's see here. What do I say? Build a five page deck about Apple based on this website. Not a thing. Great. I wasn't very specific there. I I could have been more clear and said, like, use the branding from this, pull in the overall style. So I I didn't do a great job of directing it there, but I could be more specific and and pull that in. While that deck is getting set up, other questions, Jason, that we should hit on? Those are the main ones, so we're excited. I think this will be a good one to wrap up with. But as this gets built, you could... Yeah. We can talk through the outline phase as well. Great. So it's pulling in quick deck there. Because I was a little vague, I'm just gonna be... Say, like, be sure to use the Apple brand from the website as the style. Great. And then it's gonna generate and should go from there. Awesome. I know we're right at five forty five. We're gonna stay on and see how this generation does. But for those who may have had a hard stop, I wanna say thank you so much for joining us. As you can see, there's lots you can build in gamma from social assets to images to, everything in between, memos, one sheets. And, you can bring in your brand and import and export in, some really cool ways, now that weren't possible before. So happy creating. Please shoot us your questions afterwards, and let us know how it's going for you. And, this has been a blast. Thank you, guys. Awesome. For those who are still with us, let's see how this is going. You'll see that I was kind of also highlighting with that little, note at the end where it was pulling information from. So, like, nice, footnoting there that's coming in. It's pulling kind of a nice clean style. As a reminder, we all have conceptions of what the Apple brand looks like, but this is a pretty austere version, I would say, of the Apple brand. So it's kinda going with that that vibe here, and we'll see how it does. Awesome. Oh, I really like that that home screen that's doing there. It's pretty cool. Still adding images throughout, and then it will go through a polish phase as well as it pulls in. Awesome. Let that continue to roll. Very excited to see what either on brand creations you all make or, anything you can dream up, new brands that you create as you go. Alright. Looks like it's... The draft is done, and it's... The agent is kinda giving it a nice polish to... It's noticed that it has some empty space and some text could be larger. I always love reading the places where it kinda edits itself. One thing I also love doing on the editing front is I just feel like a slide isn't looking right or there's something funky about it. I just start telling that to the agent and saying, like, I don't feel like this is working or the colors aren't working. Like, what are some options that we could do? You can kinda talk back and forth with it to see what would make sense before you start to implement, and also kinda helps me think about, like, what do I like and not like in the, slides or other presentation materials that I'm making. Alright. Cool. Pulling that together, kinda polishing the slides. Not bad. That's the starting point here. Awesome. We'll let that continue to polish, see where it goes, and, go from here Not bad for a sentence long prompt on a beefy website a as pretty, like, on a pretty lean version of their site. Yeah. Exactly. Exactly. Not not too not too shabby. Oh, you know what? I never went back and showed you our our bar in Sao Paulo with the comic strip. Look at this. I like that. That's cool. I don't think we went back and played it, like, looked at where we where we landed on those. Oh, I like how I did these guys. That's nice. Very fun. Very cool. Play with that. You know? Let it let it flow in. Great. All... It finished itself out here with Apple. So, Jason, I think we can probably close ourselves close ourselves down as well. I'm gonna stop sharing my screen so I can see all of you for the first time in forty five minutes. And, yeah, I'm so excited to see what you guys create. Thank you so much for spending your morning, afternoon, evening with us, as, we come together around the world. Really appreciate it. Oh, Thank you see, so much. yeah, Oh, I did see a note. there on, like, tokens from Trevor. One thing to note there is because we have hand editing and, agent editing, when you're editing by hand, that does not use credits. So that's worth noting. I think it's also great to also... Like, you know, I was doing some pretty lazy prompting. You can... The more context you can give at the outset and the more you can do in the planning phase or even in the editing planning phase, you're like, what? I don't really like this. What could we do? That can be a way to optimize your credits because you are just like a good group project. If you just send a bunch of people out there with no information and they come back and then you have to ask them to do it again, it might be because you didn't give them very good instructions. So the more... Now you don't have to be specific about how to tell the story. Gamma is great at figuring out the story. But the more context you can give, right, like the the messy notes, the whiteboard screenshot, kinda, like, here's what I'm thinking. Tell me what you might, like, might do. That's a great way to kinda iterate a little bit before you go all the way down the road, of the the full presentation design. Cool. Awesome. Alright, guys. Thank you so much, everyone. Thank you, Jean Allen. This was amazing. You all will be getting a recording after the session, but appreciate all the time spent with us today. Thanks, Bye, everyone. everybody. Bye.